垂花琴木

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他们在岛屿写作：我记得

稿紙糊成的文學朱家，孕育出嗜字如命的傳奇姊妹——朱天文、朱天心。這對姊妹雖同根共生，但各憑本事在稿紙格線攻城占地，建立起風格殊異的強大文學國度。文壇傳奇姊妹，姝途刻畫人生。姊姊朱天文在內斂靜氣中帶有高度敏銳的感知力，繼承父親朱西甯的書寫態度，不斷試探文風的翻新與可能，是鍊字成金的先知女巫；因發表〈小畢的故事〉與導演侯孝賢結識並長年合作，文學創作牽引她跨足電影第二人生，劇作數度叩關金馬獎與各大國際影展。妹妹朱天心，一身俠氣、浪漫直率，高中時期寫就的《擊壤歌》是青春世代必讀的自由宣言，如野火燎原般燃起閱讀風潮；她筆下有都市街弄裡漫遊觀察的感觸，也聚焦社運參與、族群認同的議題，時間雖淘洗歷史，但她的記憶明亮，以筆刻下的都算數。《我記得》由小說家林俊頴執導，以長年友人的貼身視角，紀錄朱家姊妹的成長軌跡，從桂花樹下的家作為記憶的場景出發，在此雙姝少年師承胡蘭成、廣交才俊創立《三三集刊》。鏡頭隨著她們的腳步移動，走訪鳳山眷村故居，渡海祭拜東京胡墓，談笑間分享對彼此作品的見解，也錄下她們穿梭街頭巷尾照顧流浪貓的身影。姊妹倆在片中毫無保留地坦露內心，展現文學成就背後，如同常人一般隨性親和、溫暖立體的生活光景。

玩命记忆

在一座停产的密闭工厂里，五个男人从昏迷中转醒，但他们却想不起来自己身为何人，又为何在这里，唯一清楚的是，他们被困在这里，而且或被捆、或受伤，状态糟糕。与此同时，一起绑架案的赎金交接程序正在进行，歹徒依靠高明的事前准备成功拿到了钱并脱身，暗中监视的警察们迅速展开了追击。厂房里的五个男人在经过搜寻模糊的记忆片段与分析后，大致理清了当下的形势：五人中有两人是被绑架的某公司总裁寇斯与同事麦肯，其他三人则是绑匪，真正的寇斯与麦肯必须在收钱的绑匪返回前脱身，否则将面临撕票的危险，但是在身份无法确定的情况下，每个人想要保住自身安全又谈何容易？

山田君与7个魔女

　　故事发生在私立朱雀高校之中，山田龙（逢坂良太 配音）是校园中有名的不良少年，同学老师们看见他恨不得绕着道走，而山田龙本人亦对无聊束缚的校园生活深恶痛绝。某日，一场意外竟然让他和优等生白石丽（早见沙织 配音）互换了身体，因而得知了白石丽隐藏在内心里的秘密，并在同级生宫村虎之介（增田俊树 配音）的唆使之下加入了超自然研究部。                                                                    　　同为部员的还有对超自然事件超级着迷的伊藤雅（内田真礼 配音）和不良少年椿剑太郎（佐佐木寿治 配音）。几人受腹黑的学生会会长山崎春马（福山润 配音）之命调查校园中存在魔女的事件，就此打开了新世界的大门。

绅士的启示联盟

　　虚构的世界Royston Vasey面临末日，唯一能阻止灾难的方法是奇怪的居民（恶梦般的角色）找到通往真实世界的途径并迎战他们的创造者。而从如今的伦敦索霍区到虚构的17世纪英国，居民们必须克服一系列奇怪的障碍，安全地返回心爱的村庄。这部古怪的喜剧片翻拍自非常成功，倍受观众喜爱的BBC连续剧。

假装不正经

陈老汉接孙女放学,路上看到公示栏上禁止燃放烟花爆竹的通知后，唉声叹气，他已经好几年没有公开表演过药发木偶了……陈老汉在家里摆弄药发木偶时，孙女静静看到一个铁罐很好奇便打开来玩耍，却不小心引起火苗，铁罐爆炸了……爆炸中，陈老汉和孙女静静身体互换。如今外表沧桑的陈老汉内藏一颗少女心，而风华正茂的陈静静内心却是抠脚老汉……一连串连锁反应发生，一段啼笑皆非的故事正式在这个宁静的乡村上演。

3月7日 22-23赛季NBA常规赛 76人VS步行者

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

玩命速递：重启之战

“弗兰克·马丁”这次惹上了大麻烦，麻烦竟然是他的老爸带给他的，夹在四位美女和俄罗斯黑帮之间的父子俩这次在法国尼斯上演了一出与黑帮的火爆较量。凭借高超的车技和劲爆的身手，弗兰克在枪林弹雨和围追堵截中杀出重围，与退休的特工老爸一起演绎“上阵父子兵，同抱美人归”。

大漠苍狼

九一八事变爆发后，日本帝国主义的铁蹄悍然践踏华夏大地。在此期间，以黑龙会为代表的侵略者更深入我国漠北地区，图谋盗取具有极其重要价值的战略矿产。时任法租界巡捕房探长洪泰（黄志忠 饰）和妻弟孙义（公嘉 饰）在街头救下了遭日本人追杀的沪江大学化学系助教贺必臣，而其被追杀的缘由正是因为获知了黑龙会的秘密。得知缘由后，洪泰决定全力保护教授，并伺机粉碎日本人的阴谋。他的举动惹来日本人疯狂的报复，甚至因此而家破人亡。

将婚姻进行到底

江一帆（万茜 饰）和王宇明（任重 饰）终于在茫茫人海中找到了彼此，携手步入了婚姻的殿堂组成幸福的家庭，但新婚的甜蜜还没有维持多久，王宇明便因为事业受挫而丢掉了工作。斗志未减的他决定创业，但这条道路上充满了艰难险阻，这个小家庭的未来尚且处于迷雾之中。 　　就在这个节骨眼上，江一帆发觉自己可能得了乳腺癌，她不敢将这个噩耗告诉正处于水深火热之中的王宇明，于是选择了独自承受疾病带来的痛苦和恐慌。王宇明的前女友晓菡生病住院，孤身一人的她身边无人照料，大大咧咧的王宇明不忍心看晓菡受苦，决定担负起照顾她的职责，这让江一帆无法接受，随着时间的推移，这个家庭慢慢的走向了崩溃。

其实我是

黑峰朝阳（花江夏树 配音）是一个平凡的男子高中生，唯一的特点就是他无法隐藏住任何一个秘密。朝阳默默的暗恋着班上一位名叫白神叶子（芹泽优 配音）的女生，让朝阳怎么也没有想到的是，白神叶子的真实身份竟然是一只吸血鬼，如果朝阳将这个秘密泄露出去，那么叶子很显然会遭到退学，他也就再也不能见到她了，为了自己喜欢的人，朝阳真的能够保守住她的秘密吗？ 　　性格一板一眼固执而又认真的蓝泽渚（水濑祈 配音）、魅力十足的紫紫户狮穗（内田彩 配音）、学园的校长红本茜（市道真央 配音），越来越多的秘密接二连三的浮出水面。