10月30日 NBA常规赛 开拓者vs76人

暂无简介

又是圣诞

AheartbrokenChristmas-treesalesmanreturnstoNewYorkCityhopingtoputhispastbehindhim.Livinginatrailerandworkingthenightshift,hebeginstospiraldownwardsuntilthesavingofamysteriouswomanandsomecolorfulcustomersrescuehimfromself-destruction.

超能太监2黄金右手

该片讲述的是韦小宝另类屌丝逆袭的故事，而又令万千网友倍感熟悉，丽春院小二韦小宝常年痴迷于心中挚爱双儿，恋恋风尘的他无意间竟练就了一招“欲火神掌”，从此右手技能值爆增，如获超能；得知挚爱突然离开的他决定为爱铤而走险，追随双儿入宫，为爱不惜以太监身份护其左右，但宫中不比外面的世界，任他再鬼马精灵也难逃一场暗流涌动的宫斗杀局，小宝深陷其中有情有义两难全。

剧场版 弦音 -起始的一箭- 劇場作

少年は憧れた。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

守望相思树

影片根据相思树真实故事改编创作。1984年初夏，时任连长李相恩带队巡逻途中在哈拉哈河突遇险情，李相恩为救战友英勇牺牲。妻子郭凤荣为寄托哀思，在哨所旁种下一棵樟子松。2010年妻子郭凤荣因病去世前，特意嘱托儿子李心要把自己的骨灰撒在哈拉哈河，继续陪伴丈夫守好祖国北疆。

白之恋

早智子和吉田是新婚佳偶，他們搬入一棟新修建及擁有白色房間的公寓居住。他們本應好好享受他們的新婚生活，但早智子卻拒絕吉田的性要求。一天，吉田的同事加藤，給他看一盒錄影帶，它的標題是“白色房間：晚上教室檢查”，片中女孩在過程中會不時拿著她的母親的相片，但更令人驚奇的還是片中的屋子正是他們居住的公寓!而吉田偷偷地收起了那盒錄影帶，但卻被早智子發現了…

子弹横飞

在纽约州北部，两个十几岁的男孩的任务是清理他们父亲在废弃财产上的旧移动房屋，但当男孩们发现三个逃跑的骗子躲在拖车里时，他们大吃一惊。

荒村·浮生若梦

蔡俊因《荒村公寓》一书走红，表妹苏萌同粉丝会书迷踏上寻找荒村的旅途，而在签售会现场，陌生女孩欧阳小枝拿出一张来自荒村的照片后神秘消失。书迷自荒村归来后，身陷诡异迷局，预言成真。苏萌男友霍强怀疑这一切与小说有关，和蔡俊一起展开调查，根据线索找到一座同名的荒村公寓，不料遇到神秘租客小枝，屋内的诡异景象让蔡俊渐渐感觉到他和小枝之间，存在千丝万缕的联系，而荒村是解开秘密的钥匙。在早已废弃的古老山寨里，欧阳、祝由、西巫三大家族的恩怨情仇渐渐浮出水面，一连串诡异事件的真相也呼之欲出，荒村宝藏传说的秘密终于解开，可在地宫秘境里，一路携手走来的蔡俊和小枝经历了一场生死离别。.

自我救赎

　　举报别人易，举报自己难。影片讲述的是一个让上司拉下水的受贿者，在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。

终结者：黑暗命运

《终结者2：审判日》发生的27年后，由于未来天网派来T-800成功杀死年幼的约翰，以致令未来产生变化，一个全新进化的液态金属终结者从未来派出，目的是追杀持有关键讯息的丹妮·拉莫斯、半生化人葛蕾丝和她的朋友。这使莎拉·康纳以及成功杀死约翰的T800终结者前来帮助她们一行人，以共同为了人类的未来而战。

21-22赛季西甲第36轮 皇家马德里VS莱万特

5月13日 21-22赛季西甲第36轮 皇家马德里VS莱万特